Hey hey,
not much trickery of Csound:
This is bhased on 15 field recordings. Had I known before what exactly I needed to do to properly blend between these recordings to achieve a good flow, I would have designed one instrument with p-field and channel control. This way I wrote a lot of redundant code.
I mostly used flooper2. I only used that instead of diskin/diskin2 so I could extend one recording a little for the blending phase.
Beyond that some butterlp/butterhp for better blending, as well as amplitude and some width control, all controlled by linseg.
As I said, not much in the way of Csound super powers, but consideriing my environment the best choice with the maximum of control and granularity.
Perhaps someone has a use for it, perhaps not.
Best wishes,
Jeanette